January dates and new music

New improvisations for solo guitar (no effects or overdubs)

New ambient work, tapes available January 20th

Going south for a few dates to collaborate with some great people:

1/12 @ Da Vinci Art Alliance in Philadelphia PA with Julius Masri
1/13 @ the Windup Space in Baltimore MD with Nate Scheible
1/14 @ Gallery 5 in Richmond VA solo and with RAIC
1/15 @ Rhizome in Washington DC with Nate Scheible & Luke Stewart

Visit the shows page for more info and links

Recent video footage // fall dates

SPYING will be on making a short road trip this month:

November 10 @ Muchmore’s in Brooklyn NY
November 11 @ News Cafe in Pawtucket RI
November 12 @ Asbestos Farm in Hadley MA

…and then on November 17, my trio with Johnny DeBlase and Kevin Shea will be performing at Terra Firma in Brooklyn NY. This is currently my last show on the books for 2016. The last few weeks of the year will be spent on working on new recordings, including the debut SPYING album and other collaborations.

Here are some recent videos from collaborative improvisational sets:

SPYING summer tour!

SPYING featuring myself on guitar, effects + loops, compositions / Sammy Wags on drums + percussion. We will have our new 2016 tour demo for sale on cassette and CD-R, along with a bunch of my other recordings. Dates below:

7/12 @ Alphaville in Brooklyn NY
7/13 @ The Dev in Utica NY
7/14 @ Buzzbin in Canton OH
7/15 @ Spread Art in Detroit MI
7/16 @ Cafe Mustache in Chicago IL
7/17 @ The Well in South Bend IN
7/18 @ Al’s Bar in Lexington KY
7/19 @ Urban Artifact in Cincinnati OH
7/20 @ It Looks Like It’s Open in Columbus OH
7/21 @ House Show in Pittsburgh PA
7/22 @ My Life in the Bush of Ghosts in New Paltz NY

New Hannibal Montana video, album coming soon!

Hannibal Montana new LP titled “This makes me wish I didn’t wish I were dead” is scheduled for release on 4/22. We will be performing in NYC and Mass, check upcoming shows for details!

Also, very excited for the debut of new music by my new band with Johnny DeBlase (bass) and Kevin Shea (drums) on my birthday, April 28th @ Muchmore’s in Brooklyn and an upcoming album of live improvisations with G. Calvin Weston (release TBA)

Sick Sad World // focus grill

On February 14th, I will release a new album via Focus Grill – my new “label” for cassette/digital releases. Sick Sad World is a collection of organized improvisations and slight compositions, inspired by the show within a show of the same name from the animated series Daria. My style of guitar playing has grown increasingly more inspired by animation over the years in several ways: texturally, rhythmically, structurally, et cetera. This project is an examination of how pop culture of the past can influence an artist’s present and future creative output, as well how they experience the world. The concept is simultaneously dark & serious and ludicrous & playful, a dichotomy echoed in the music itself. I am releasing a series of videos for the album, check out the first two here:

In support of this new release, I will be going on a short tour in mid-February (NY, PA, MD, DC, VA) including a very special TAPE RELEASE show back at Muchmore’s on February 16th from 7-9pm, which will feature a screening of animated films by my good friend and collaborator Ken Siu. I will perform solo guitar, mostly improvised, with video projections utilizing clips from Daria, as well as some original content. This is going to be a very fun night, mark your calendars!

New video + “Flying Kites” now available!

New, very well put together video courtesy of the fine folks at Mother Brother Studios (part of their Salon Sessions video series). I perform my solo guitar composition “Flash Cards” sandwiched between two more ambient improvisations.

…and I am proud to say my album with the great drummer Grant Calvin Weston is now available on CD @ http://www.577records.com and mp3 via various digital retailers (iTunes, Amazon, et cetera). In an early review of the album, the NYC Jazz Record says, of my guitar playing:
“…steel guitar-like licks move with the simplicity of updated Santana and McLaughlin…he applies [his effects collection] with an artist’s, not a house-painter’s strokes.”